In French
Cédric Leproust invites us to remember those who have left us. What is
left of them? Tense and warm, an earthly moment filled with voices.
In French
One life in a quarter of an hour. You are the one to ask Trân Tran
existential questions. Her answers are a treasure hunt that defeats
prejudice about her multiple personality.
In French
Mint tea, gazelle horns, she is 80, she is 25. From here and from over
there in Algeria, Loubna (Nastassja’s fictional alter ego) welcomes you.
In French
Marion plays a former convict who tells us what it feels like to be played by Marion. Complicated? Quite the contrary.
In French
With choreography, stress and glitter in the wings, some twenty
characters prepare the “gym party” of the year at the community hall.
By and with Coline Bardin
In French
In French
Raquel André collects lovers like others do butterflies.
In French
Latifa has one hour to make one friend in the room. And not only because she needs to provide the names of Swiss people to fill in her application for Swiss citizenship…
A logorrhoeic artist, Pamina builds her thought process live in a continuous flow of intelligence and freedom.
In French
A disarticulated trashy barbie stuck between Shakespeare and Louboutin emerges and falls apart in front of our eyes.
In French
Enrico Casagrande et Daniela Nicolò
Cie Motus – La Manufacture
with the students of La Manufacture – Haute école des arts de la scène: Coline
Bardin, Davide Brancato, Estelle Bridet, Arianna Camilli, Azelyne
Cartigny, Guillaume Ceppi, Anastasia Fraysse, Aurélien Gschwind,
Mathilde Invernon, Agathe Lecomte, Antonin Noël, Martin Reinartz, Elsa
Thebault, Gwenaëlle Vaudin, Adèle Viéville
The idea of a new start, even without a precise destination, opposed
to the requests of “brilliant” performance and hyper-efficiency imposed
to the new generations, seems to us like a new way to get back on the
table some old-fashioned attitudes, like wasting time and getting on the
way, wandering around marginal and unexplored areas to start again –
always with some music kicking in the ears!
We choose to give a decidedly musical mark to this new show-collective adventure because music often works as an effective predicting agent of greater changes, with respect to the fateful question which grips new generations at the end of a study course: What next?
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